From her childhood, influenced by Syrian craftsmanship, she very early on used organic elements, living materials in constant mutation under the effect of oxidation, reduction and biodegradation.

The starting point of her artistic research is a desire to understand structures and a passion for analyzing forms. In her works, she uses leaves, fallen petals, wild grasses, fruit and vegetable peels, and ashes to evoke the irreducible passage of time over the years.

She communicates with these elements as with people, they guide her way of working, these elements that she collects carry within them a memory and a spiritual dimension.

She then introduced other recyclable materials such as threads and fabrics that blend imperceptibly into the contrasting and luminous world of pre-existing organic elements.

Syrian craftsmanship reflects the country's cultural diversity and embodies many elements of its history. Influenced by these traditional techniques, she creates her works by representing a wide range of skills: she draws inspiration from their motifs, colors, and objects such as her grandmother's baskets and the rugs her mother wove using natural pigments and plant patterns. She seeks to understand the metamorphoses of nature through the power of color as a material of resilience.

Her work is like a tapestry woven from stories nourished by sensory experiences drawn from her childhood memories and the memory of her country.

She tells personal and fragmentary stories through a visual language made of plant outlines and organic materials, and establishes links between her native country and its current surroundings, wild plants that also grow in her mountainous region (Suwayda) in southern Syria, they resist their environment, they survive.